Glenda, a teacher. was about to retire and her colleagues wanted to create a special present for her. How they decided on a sampler I don't know, but my SiL volunteered that she knew someone who designed samplers.
They sent me this picture of the finished sampler, and yes, the road is yellow brick.
When I was asked if I would design a "sampler" for Glenda I immediately thought of the Wizard of Oz - well you would, wouldn't you?
I was quickly disabused of that notion.
Questions were asked. What do you want on it? What size? Answer, "Don't know." That's a good start, I thought. "What does she like? What are her hobbies and interests?"
Elucidation. Hill walking, cats, the theatre, books, music, her garden and her church."
"You want me to include all of that?"
"Yes. And places she's lived. Can you do that?"
Well it was a brief of sorts. I discovered that the story started in Boreham Wood and ended in Rutherglen, which gave me a framework for the idea of a road zig-zagging up Britain, with motifs to either side.
Was I expected to stitch this? "No, so the instructions have to be clear enough for people who don't have much or any experience." It seemed that her colleagues were all going to do part of it.
Into design mode, I decided that the whole thing had to be done in cross-stitch and running stitch. I trawled my library for appropriate motifs (thank you Jo Verso) which I could amend to fit and decided that the border should be boot-soles to remind Glenda that she might be retiring, but that they journey goes on. I had to provide the master diagram, in colour, but I also provided stitch diagrams for the cross-stitch and running stitch on the assumption of a total lack of knowledge of the stitchers. It's incredible how much detail you have to go into. I take my hat off to all you professional designers and teachers.
Was I expected to stitch this? "No, so the instructions have to be clear enough for people who don't have much or any experience." It seemed that her colleagues were all going to do part of it.
Into design mode, I decided that the whole thing had to be done in cross-stitch and running stitch. I trawled my library for appropriate motifs (thank you Jo Verso) which I could amend to fit and decided that the border should be boot-soles to remind Glenda that she might be retiring, but that they journey goes on. I had to provide the master diagram, in colour, but I also provided stitch diagrams for the cross-stitch and running stitch on the assumption of a total lack of knowledge of the stitchers. It's incredible how much detail you have to go into. I take my hat off to all you professional designers and teachers.
They sent me this picture of the finished sampler, and yes, the road is yellow brick.
Well done!
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